Archive for the ‘Campaigns to Watch’ Category

Nothing to See? Must See Ad

Monday, March 8th, 2010

Have you ever wondered what a Chlamydia looks like? Curiosity. That is the basis of the campaign orchestrated for the Ministry of Health by Cartier Communication and their media partners: Vizéum and Espresso Media. Yannick Manuri from Espresso Media shares his insights on this daring campaign developed with Eyeblaster and ALT Productions.

Based on the theme ‘Quite often, there is nothing to see’ overall campaign efforts included posters, bus shelters, Internet, stands in several colleges, as well as tactical and viral events. As ‘nine people out of 10 don’t know that they have an STD (Sexually Transmitted Disease)’ the campaign wanted to remind youth that ‘because you look safe’ is not a valid argument for not using a condom.


The first part of the campaign execution was a video that is circulating on You Tube and various social media sites. The video stars an opera-theatre piece created and presented just before Valentine’s Day throughout eight colleges in Quebec. At the peak of lunch time, in the cafeteria, what seems to be the beginning of a couple’s fight regarding a STD becomes an entertaining musical comedy.





The viral scattering of this video just started and has already generated over 11 000 views on You Tube. The video segment was also integrated in the content portion of several popular sites such as: 33mag.ca, Bombe.tv, Ckoi.com, Cinoche.com, etc.


THE TARGET AND STRATEGY

Espresso Media handled the online portion of this campaign. To reach this highly coveted target audience (15-24 year olds), we needed to be creative in order to surprise them and captivate their attention.
We strongly believed that a standard ad banner would not effectively reach this audience. Actually, we think that one is very disconnected from today’s reality if they believe that a simple bigbox campaign on sites such as musiqueplus.com is efficient to reach the target.


The campaign was based on:
- Innovation in the choice of ad formats, betting on the ‘newness’ factor
- Creation of a new and impactful ad format
- Investment in interactive and engaging ad pieces
- Favour video utilization


The development process of the online portion of the campaign was one of the most intricate that we have done here at the agency. Actually it’s probably the most complex project of my career! As far as I know, you can count on a single hand the number of times that this type of ad format has been executed in Canada.


This took over 50 hours of work by our media team, without counting all the hours of development and programming done by our technological partners ALT Productions and Eyeblaster.


The execution was so elaborate for the team that at one point we even questioned the feasibility of the entire project. On several occasions we thought that our ideas were too ambitious, and that we would be better off finding a plan B. It is with a huge sigh of relief that we proudly share the details of this new execution that will, without a doubt, surprise more than one!


EXECUTION DETAILS

In order to attract the target’s attention, we opted for a wallpaper format, with a rather surprising creative, Touch to see what the STD Looks Likeacross several popular sites reaching the youth target. With the agreement of the sites’ editorial teams, we replaced the usual backgrounds of each site with a picture of a young man/woman wearing nothing but underwear. Once we had grabbed the user’s attention, it was hard to not be intrigued by the banner where the message was ‘Touch me and I will show you what a Chlamydia looks like’.


Once the banner was clicked, the entire site folded towards the bottom. The underwear of the young man/woman was also pulled down in synch with the content of the site. This made room for the message ‘Quite often, you can’t see Chlamydia. Condoms, 100% OK. Youhaveonelife.com.”
In order to make this execution believable, we had to reproduce a constantly updated replicate of the homepage (content and layout) and overlay it on the wallpaper background. We personalized this for each site, each homepage.

The reactions to this campaign are numerous in news & information media and daily talk TV shows.

Touch and see the results for yourself….

Video: Interactive, Synched, SloMo & HD

Wednesday, March 3rd, 2010

From interactive video to synchronized video to slow motion to HD, this month’s new & notable campaigns featured in The Blast are not to be missed.


Coke SloMo Snowboard, DK

This homepage takeover features a wannabe snowboarding Olympian practicing in his living room.  Users can navigate between tricks and hit ‘hidas’ to watch the trick again in slow motion.

Media: Wunderman
Creative: Wunderman
Format: Expandable Banner Takeover
Interactive Feature: Interactive Video
Vertical: CPG







 

 

 

Pepsi or Pesi Poll, ES

This Spanish campaign resulted from Pepsi’s insight from Latin America that many Spanish speakers can pronounce the brand’s name more easily and phonetically without the second “P.”. In a new commercial-within-a-commercial,  Spanish soccer star Fernando Torres gets fed up when the director keeps correcting the way he says “Pesi” on camera.’  Users can vote for whether they prefer ‘Pepsi’ or ‘Pesi.’


Media: OMD
Creative: La Despensa
Format: Expandable Banner Takeover
Vertical: CPG

 

 

 







Sherlock Holmes Share on Social Media, FR


This wallpaper banner with option for HD video allows users to share the ad with Facebook and Twitter by integrating with the social media options within the banner.
Media: Mediacom
Creative: Monstre
Format: Expandable Banner
Interactive Feature: HD video, Social Connect
Vertical: Entertainment









Wolfman Homepage Takeover, UK
After watching a video strip, users can continue their journey in the banner with the Wolfman by downloading wallpaper, viewing a picture gallery, playing a TV spot, opening a moon widget and linking to the movie’s Facebook page.





Media: Mediacom
Creative: Creative Partnership
Format: Expandable Banner Takeover
Interactive Feature: Microsite ad, Social Connect
Vertical: Entertainment






South Australia Tourism Sync, AU
This is a classic example of the power of synchronized ad that makes it fun for the user to explore what’s behind the closed doors with separate links to what most interests the user to visit in Australia.

Media: KWP
Creative: KWP
Format: Synchronized Unit
Vertical: Travel

MINI Spotlight: Better than Therapy

Tuesday, March 2nd, 2010

We are pleased to bring you an interview with Mario Sánchez del Real, General Creative Director of Netthink. Mario discusses the interactive campaign that netthink and Isobar recently launched for MINI. He MINI_Fraud_creatorshares how they took advantage of the opportunity to use a big impact format to come up with something more entertaining and a ‘deeper than usual’ banner. Read on to see why this campaign was chosen as The Spotlight Campaign in The Blast Newsletter by Eyeblaster.


What was the client brief for the MINI campaign? Do an impactful, big and interactive piece that everyone likes so we can be doing interviews after it. MINI is the perfect client to match to Netthink and Isobar’s way of creating time with users, and this case is a good example of that.




How did you decide on the concept of an interactive video with a therapist? The campaign is part of an integrated MINI campaign whose theme is MINI – Better than Therapy; the issue is how you make a good offline concept turn more interesting online. Involving the brand with user interaction is a way of having a better brand communication. The perception of it becomes rather different than just an ad.


What role did Eyeblaster play in the campaign? We have been working with Eyeblaster for a long time, and it’s been always a perfect platform for every rich media format we create to become real and to work perfectly.


What was the client’s reaction to the campaign? What feedback have they received?
The Client has been an enthusiastic part of all of this from the beginning, and I want to thank MINI for the MINI_Fraudtrust in us to do this kind of work. The feedback is a big smile!


Your idea of the perfect work day? No phone calls, the cellular inside a glass of water, no mail in the box, good music on the headphones, some weird words from a client: “This is perfect, let’s not touch anything, not even the copy”… and many more impossible but simple things.


Now the serious answer: Probably the time to see the results of the campaigns, and that those are working out far better than you thought keeps you up and awake for the next project to run.




When does your muse visit you? If there is a place and a time, please let me know!!

Cloudy with a Chance of (Italian) Meatballs

Saturday, February 6th, 2010

We are pleased to bring you an interview with Massimo Guerci and Victor Spang Arthurrson, the creators of the wild homepage takeover ad in Italy for ‘Cloudy with a Chance of Meatballs.’ Massimo Guerci, senior art director, and Victor Spang Arthursson, interactive account manager senior, responsible PM for the project, work in digital at the agency SPQR Network, part of the group Flumen Communications Companies.

The 3D trailer was created by the agency as part of the campaign to launch the film “Cloudy with a Chance of Meatballs” (Piovono Polpette) in Italy. The success was immediate, with a video played rate of 36%.

Cloudy with a Chance of Meatballs Takeover

What was the initial client brief for the Cloudy with a Chance of Meatballs campaign?

Victor: Apart from the necessity to launch the film, to create curiosity, awareness and to stress the premiere date we were asked by the client, Sony Pictures Releasing Italia, to emphasize the fact that the film was made in 3D and would deliver an extraordinary experience. So the 3D aspect was fundamental and has in one or another way been present in each asset delivered during the campaign for the film.

How did you decide on the full screen format?

Victor+Massimo:
The full screen format in this case was absolutely necessary to create a strong impression. Since the “3D” objects needed to enter and exit the video in a convincing way, and the objective was to make everything as natural as possible, we saw no other possible solution.

What we wanted to achieve was an increasing effect of surprise, and not using the full screen format would have resulted in a “fake” effect, which obviously needed to be avoided.

Other solutions were of course discussed and rejected together with Joseph from Eyeblaster Italia, who has been of invaluable help to us during this project. We are extremely satisfied with the final result, which was very good indeed.

What was the client’s reaction/feedback?
Victor: In this project, as normally with this client, we had a very open work process, where the client has the possibility of being a part of the project already from the start, and storyboards were presented, updated and approved and intermediary rough versions were presented for approval throughout work process. This minimized the final feedback and is fundamental in a multidisciplinary project to avoid delays and to stay within budget.

The final result thus was highly appreciated and we have so far only received appreciatiivecomments on our work.

Your idea about the perfect working day:

Massimo+Victor: On this question we agree surprisingly well. In the morning an update online, and some general searching for inspiration. Then lunch outdoors, during a sunny spring day in Rome. In the afternoon, work on a stimulating and exciting campaign and then, after work, a beer with our colleagues.victor and massimo hard at work

Your muse best comes when:

Massimo: In the morning, when I take the shower. 90% of the ideas that I develop during the
day come to me just after awakening, when the brain is still shut down. The rest of the
day I work on developing these ideas, whereas in the evening I try to relax as much as possible.

Victor: In the evening, just after I’ve entered the bed and am about to fall asleep. Unfortunately, some of my great, world changing ideas gets lost during the night, but fortunately I don’t work as a creative.

(more…)

January Blast’s New & Notable

Thursday, February 4th, 2010

This month’s creatives featured in the New & Notable section of The Blast Newsletter by Eyeblaster broke new boundaries in interactivity – from webcams to homepage shootouts, user engagement is the name of the game. Speaking of games, the Spotlight Campaign for Rabbids Go Home set the bar for humor and creativity and is featured in a separate blog post here.


HBO Homepage Shootout

Make sure to have your volume turned on to get the full effects of the online Blu-Ray campaign, which echoes the TV ad of a man concentrating on watching Blu-ray content as some sort of angry beast has torn up his apartment.

 

Media: Venables Bell
Creative: Venables Bell
Format: Expandable Banner Takeover
Vertical: Entertainment

 

 

 








NIKE Total90 In-Banner Game

Keeping in theme of NIKE’s message that the Total90 Laser III is designed for the player who loves scoring goals and delivers laser-like accuracy at game-changing moments, this ad offers a full screen game that expands from a Messenger banner for game lovers.

Media: Media Contacts
Creative: ComOn
Format: Messenger Expandable Banner
Interactive Feature: Full Screen, In Banner Game
Vertical: Apparel

 

 

 






Chocapic Webcam Teaser

Chocapic, the chocolate cereal from Nestlé, is promoting its sponsorship of the new movie “Arthur and the revenge of Maltazard” with an Augmented Reality application that turns the package into a gameconsole. The online ad has a teaser game that can be played with or without a webcam.

 

Media: Zed Digital
Creative: Zed Digital
Format: Expandable Banner
Interactive Feature: Interactive Game with Webcam
Vertical: CPG

 

 





Skyrunners – Messenger Share Format

Share your thoughts on the movie trailer for Skyrunner within the banner with your friends on Messenger.

 

Media: Carat
Creative: Digital Outlook
Format: Messenger Expandable
Interactive Feature: Messenger Share Ad
Vertical: Entertainment

 

 






Citroen C3 Swinging Launch

Citroën’s latest ad features the supermini having a ’swinging’ time by the sea – and over the homepage.

 Media: OMD
Creative: Euro RSCG
Format: Expandable Banner
Vertical: Auto

 

 

 







Kellogg’s New Year’s Jeans Resolution Sidekick

Kellogg’s Special K targets all those making New Year resolutions to fit back into their jeans again. The campaign includes wallpaper, a leaderboard and a sidekick banner. Click to open reveals a Data Capture form and an invitation to Start Today on the Special K personal plan.
 
Media: Carat Digital
Creative: Magnetic North
Format: Sidekick
Interactive Feature: Data capture
Vertical: CPG